In the opening episodes of Star Trek: Picard, two characters need to solve a murder in an apartment—but someone has scrubbed the floors, replaced the windows, and wiped all the alpaca spit from the walls. (The only eyewitness also exploded.) Undeterred, they resort to an alien device that can project a blurry hologram of the recent past. Discuss with your team: if investigators could use such a technology to observe what had happened in a crime or accident scene, would there be any need for judges or juries to determine guilt or innocence? Assuming it can only show you events from the last 24 hours or so, for what other purposes might such a technology be useful?

According to leading figures in the field, criminal forensics demands more than just swabbing for DNA and testing flecks of blood; it requires imagination. Discuss with your team: should prosecutors invest in hiring screenwriters and other storytellers to reconstruct how crimes happened? Do you think artificial intelligence could play a similar role in solving cases—or identifying suspects?

In countries with trials by jury, some prosecutors worry that people who watch crime dramas on television will have unrealistic expectations of what forensic science can achieve. This so-called "CSI effect" might lead them to find defendants "not guilty" if they aren't presented with razor-sharp fingerprints, perfect DNA matches, and other feats of forensic wizardry—but these are far harder to obtain in the real world than on Netflix or the BBC. Then, when forensic evidence is presented at trial, they might overestimate its importance—discounting other evidence, such as eyewitness testimony or a robust alibi, that could exonerate the accused. Discuss with your team: should juries in criminal trials exclude people who watch too much crime-related television? Is this a real problem, and, if so, might it also affect judges, journalists, and political leaders?

Research the following terms related to forensics and crime scene reconstruction:

When the media can show actual footage of a tragedy or other newsworthy event, they do, often exhaustively. Before photography and cinema, artists had to draw forensic sketches; consider this contemporary recreation of Lincoln's assassination. Today, if they lack real footage, broadcasters can generate animated recreations—for instance, this controversial reconstruction of celebrity golfer Tiger Woods' car crash in 2019. Discuss with your team: can such animations serve an important function in informing the public? What is the difference between animating a news story and reenacting it with live actors? Should all the people featured in reenactments of recent events have to give their consent—and, if so, what if they are no longer alive to give it?